Plastic, Prism, Void is a wild ride of a romance sci-fi literary fiction adventure through form and one messy relationship. Acrasia is a magical trans girl who comes across as pretentious. Opus is a mech-piloting trans guy. They were enemies, but then that changed, and then their universes separated. Now they’re back in the same place again, but Acrasia’s schemes to keep Opus there might be finally going too far.
I love the publisher, LittlePuss Press, and the blurb fascinated me as (apparently) a romantasy with shades of House of Leaves. Plastic, Prism, Void takes the textual form experimentation of House of Leaves, the sci-fi romance of This Is How To Lose The Time War, and mixes them both with a healthy dose of pretentious references and a complicated relationship between two trans people with weird baggage. It took me a little while to settle into the style and the way the narrative jumps around in time and voice and format (and the advance copy I read on a too-small screen didn’t help so I think the physical book will be much easier to read), but then I became invested in the central relationship. I like the way that, despite everything else going on, it boils down to people who didn’t like each other but then fell in love and now can’t work out if they can sustain something when they’re both in the same place. So, despite the fluid, mind-boggling narrative, it is also something strangely relatable.
I’m sure there’s great swathes of this book that I didn’t get, but that feels like some of the point of it, with Acrasia and Opus’s banter often being about whether or not they get each other’s references (made more complex by the multiple universes). This is a book that is pushing boundaries in a fun way and you don’t need to understand every sentence to have a good time with it.
Fiendfully Reading 
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