The Long Form is a novel about the novel and also a novel about a day in the life of a woman with a new baby, combining literary criticism with a critique on caring structures and forming connections. Helen is on maternity leave, caring for her new baby Rose, and the copy of Henry Fielding’s Tom Jones that she ordered online has just arrived. As the day progresses, she starts to read Tom Jones, and the narrative explores the story of Helen’s day, of Tom Jones, and of the novel form.
This book is a fascinating mix of a highly literary style, bringing in literary criticism and stylistic digressions, with a very human narrative of a day in the life of a new parent, covering the sorts of large and small struggles that might not typically be in such a literary-reference-heavy novel. Despite the immediate style and the constant returning to the plot of Tom Jones as well as theorists on “the novel”, The Long Form was surprisingly readable, building up a real sense of connection with Helen and Rose and the interplay between them and the texts referenced. The book ends with a list of referenced and relevant works, which is useful for people reading this without a particular background in literary criticism (the works aren’t just about the novel form either – I noticed Full Surrogacy Now in there as well).
Aside from the literary criticism and references, the book also explores how one woman and one baby exist within society, and the kinds of security or lack of security that can bring. There’s a particular focus on the roles of friendship and family, especially in terms of what is expected of someone with a new baby, and the snippets of Helen’s friendship with Rebba were one of my favourite elements of the book, arguing for the importance of their relationship in their lives and suggesting how this might clash with society’s idea of the hierarchy of human connections.
The Long Form surprised me with how much it could say and the way in which the different elements of it could be so well entwined. For some people, it might be too much of a literary experiment to be enjoyable as a novel, but as someone who did an English degree I appreciated how it managed to keep the literary criticism parts accessible within the novel itself, allowing the book to question what a novel is whilst also telling a compelling story.
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