I love a modern retelling of Shakespeare. They can be insightful, thought-provoking, or just damn fun. For 23rd April—Shakespeare’s deathday/possible birthday and World Book Night in the UK—I’ve gathered together my thoughts on the current (and upcoming!) Hogarth Shakespeare series of modern novel retellings of his plays.
- The Gap of Time by Jeanette Winterson – A transatlantic, slightly alternate universe version of our modern world in which The Winter’s Tale unfolds as a story still full of jealousy, grief, and discovery. The complex relationship between Leo, his wife MiMi, and his best friend/ex-lover Xeno is a highlight, turning a strange plot device in Shakespeare into an interesting look at three characters falling apart. The book that really sparked my interest in the series (read my full review here).
- Shylock Is My Name by Howard Jacobson – Jacobson’s take on The Merchant of Venice is a little different to the rest of the series in that instead of updating Shylock fully, he parallels the sixteenth century character with a modern version, the art dealer and father Simon Strulovitch. The backdrop is rich side of Manchester and the updated plot line is quite impressive, but the merging Shylock’s world with Strulovitch’s and the writing style of the novel make for a dense read.
- Vinegar Girl by Anne Tyler – In my original review, I said that this book wasn’t necessary because 10 Things I Hate About You exists. I stand by this statement, though more because I found the message of Vinegar Girl confused rather than ambiguous and its ending downheartening without illuminating on Shakespeare’s ending than because I think the enjoyable teen film is a work of genius. You might enjoy it. I didn’t.
- Hag-Seed by Margaret Atwood – There is something endearing about the way that Atwood takes Prospero’s slightly flimsy plot for making his enemies see their bad deeds and turns it into an equally flimsy plot in which Felix tries to show the injustice done to him through a performance done by the inmates he has been teaching The Tempest to. The in-jokes about the existence of Shakespeare’s plays in these modern worlds really reaches its peak, with Shakespeare as a double meta-narrative. Read more in my review here.
- New Boy by Tracy Chevalier – New Boy isn’t out until May, but I highly recommend you grab it when it is. Othello is retold in a tense and claustrophobic day in a 1970s Washington schoolyard, as new boy Osei finds himself out of place in the entirely white school. The strange timeline and irrational jealousies of Othello find themselves a good home in this novel, where intensity is heightened because this schoolyard is the world for most of these students. I review it in more detail here.