
Carrion Crow is a novel about a woman shut in an attic to learn how to be a good wife, in a gothic exploration of polite society and secrets. Marguerite was locked in the attic by her mother, Cécile, with only Mrs Beeton’s Book of Household Management and a sewing machine for company, plus a crow she discovers has made its own within the roof. Cécile appears sporadically to bring food and check on Marguerite’s progress, but Marguerite starts to lose track of how long she’s been there, and why is she fighting to get married in the first place?
Told alternatively in Marguerite’s present and the history of her mother, this novel slowly unravels a story of social position, respectability, and secrets, whilst still not handing the reader everything on a plate. The narrative unfurls in a way that the reader starts to understand things before Marguerite does, creating a sense of dread as you realise what she hasn’t. In particular, Marguerite’s ‘plan’ that has led to her being in the attic is heartbreaking once you realise how her belief, from her mother, in ideas of polite society and what she must do to be allowed what she wants is misguided, but also deeply tied up in class, position, and gender. Queerness is shown in opposition to these ideas of polite society, but also the thing that offers alternative ideas of freedom.
This historical gothic novel is slow and lingering, without an easy answer or way out. I’m not usually a fan of historical novels, but Carrion Crow gripped me, though the backstory elements sometimes felt too drawn out. Fans of gothic novels will enjoy this one, which doesn’t shy away from some more disgusting elements.
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